function verplaats_programmaentree_metabox() { // Verplaats de metabox naar de 'normal' context met hoge prioriteit remove_meta_box('jet-cpt-programmaentree', 'page', 'normal'); // Pas 'page' aan naar jouw post type indien nodig add_meta_box( 'jet-cpt-programmaentree', 'ProgrammaEntree', 'jet_cpt_programmaentree_callback', // Deze functie moet je mogelijk aanpassen naar de juiste callback 'page', // Pas dit aan naar jouw post type 'normal', 'high' ); } add_action('do_meta_boxes', 'verplaats_programmaentree_metabox');

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In the eighteenth century, a hint of the goûts-réunis, a utopian blend of national styles hung in the air, while on Earth, thanks to releases, the latest music crisscrossed Europe. For example, Vivaldi’s brand new, innovative concertos inspired Bach to make arrangements and his own contributions to the genre.

Bach’s concerto “in the Italian flavor” follows the model of three movements, fast-slow-fast, imitates the constant alternation between tutti parts and solos, and deploys ritornelli (a kind of refrain to keep the momentum going) in the opening movement. The final movement takes on a typical rondo form. The hard-soft effects, which at the time only a harpsichord with two manuals could perform, are elaborated on accordion with registers and dynamics.

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